<![CDATA[
<body bgcolor="#FFFFFF" text="#000000" link="#0000FF" vlink="#CC0000" alink="#CC0000"><center><hr width="350" size="1" align="center" noshade>An introduction to the themes of a still-evolving American ethnic literature<hr width="350" size="1" align="center" noshade><p><a href="https://cdcshoppingcart.uchicago.edu/Cart/ChicagoBook.aspx?ISBN=9781439902165&&PRESS=temple" target="_top">Buy this book!</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">View Cart</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">Check Out</a></p><p><img src="1518_reg.gif" height=200 border=1 vspace=4></p></center><!--none//--><h1>This Is All I Choose to Tell</h1>
<H2>History and Hybridity in Vietnamese American Literature</H2>
<h3>Isabelle Thuy Pelaud</h3>
<P>cloth 1-4399-0216-X $64.50, Nov 10, <FONT COLOR=#990033>Available</FONT>
<br>paper 1-4399-0217-8 $23.95, Nov 10, <FONT COLOR=#990033>Available</FONT>
<br>Electronic Book 1-4399-0218-6 $23.95 <FONT COLOR=#990033>Available</FONT>
<BR> 216 pp
5.5x8.5
1 halftone
</P><BLOCKQUOTE><I>"Immediately indispensable, exactingly researched, and beautifully written, </i>This Is All I Choose to Tell<i> is both an introduction to and a road map for an expansive analysis of Vietnamese American literature. By carefully and judiciously introducing her personal story and journey from immigrant to academic, Pelaud has created a work that is both necessary and brave."</i>
<br><b>—Monique Truong</b>, author of <i>The Book of Salt and Bitter in the Mouth</i></I></BLOCKQUOTE>
<p>In the first book-length study of Vietnamese American literature, Isabelle Thuy Pelaud probes the complexities of Vietnamese American identity and politics. She provides an analytical introduction to the literature, showing how generational differences play out in genre and text. In addition, she asks, can the term Vietnamese American be disassociated from representations of the war without erasing its legacy?
</p><p>
Pelaud delineates the historical, social, and cultural terrains of the writing as well as the critical receptions and responses to them. She moves beyond the common focus on the Vietnam war to develop an interpretive framework that integrates post-colonialism with the multi-generational refugee, immigrant, and transnational experiences at the center of Vietnamese American narratives.
</p><p>
Her readings of key works, such as Andrew Pham's <em>Catfish and Mandala and Lan Cao's Monkey Bridge</em> show how trauma, race, class and gender play a role in shaping the identities of Vietnamese American characters and narrators. </p>
<BR> <h2>Reviews</h2>
<p><I>"Pelaud has produced the first book specifically devoted to Vietnamese American literature. The poignancy of this benchmark is not to be missed. Her book is a timely contribution to the field of Asian American literary studies and to the emergent subfield of Vietnamese American literary and cultural studies. She makes Vietnamese American literature readily visible for readers who are interested in finding an anchor through which to wrestle with this corpus of cultural work. I have a deep appreciation for what Pelaud has done."</I><br>—<b>James K. Lee</b>, Associate Professor of Asian American Studies, University of California at Santa Barbara, and the author of <i>Urban Triage: Race and the Fictions of Multiculturalism</i>
<p><i>"Pelaud provides the first comprehensive introduction and overview of Vietnamese American literature, a largely ignored and under-studied area within the larger field of Asian American literature.... Throughout, Pelaud's writing is clear and her analysis sharp. This accessible book is a must read. Summing Up: Highly recommended."</i><br>— <b>Choice</b>
<p><i>"</i>This Is All I Choose to Tell<i> is timely, arriving at a moment when the interest in literature from a global perspective has taken as a top priority the relationship between minor and major literatures.... </i>This Is All I Choose to Tell<i> establishes a starting point for defining Vietnamese American literature as a field with a history, and compels us to think about how to maintain its specificity and autonomy while understanding its contingent nature."</i><br>— <b>Journal of Vietnamese Studies</b>
<p><i>"[T]his is a groundbreaking book regarding Vietnamese American issues in their emerging literature."</i><br>— <b> Journal of Southeast Asian American Education & Advancement</b>
<p><i>"[A] sensitive study of Vietnamese American literature.... </i>This Is All I Choose to Tell<i> [is a] critically valuable intervention within the field of Vietnamese American studies, not merely within contexts of the Vietnam War and its memorial afterlife, but also within larger debates in Asian American representations related to ethnicity, immigration, gender, class, and the continual reconfiguration of recently (dis)integrated individual, political, and national selves."</i> <br>—<b>Journal of American Studies</b>
<p><i>"The first book-length study of Vietnamese American literature, </i>This Is All I Choose to Tell<i> is unquestionably an essential contribution to the field of Asian American studies.... Pelaud provides scholars and teachers alike with an impressive road map to this burgeoning body of literature, expanding on rigorous literary surveys.... As evidenced by her faithful, meticulous readings, Pelaud is adamant we appreciate the personal commitment needed to transform contradictory positions into artistic products." </i><br>— <b>Journal of Asian American Studies</b>
<BR> <h2>Contents</h2><P>
<p>Preface
<br>Acknowledgments
<br>Introduction
<p><b>Part I: Inclusion</b>
<br>1. History
<br>2. Overview
<br>3. Hybridity
<p><b>Part II: Interpretation</b>
<br>4. Survival
<br>5. Hope and Despair
<br>6. Reception
<p>Conclusion
<br>Notes
<br>Bibliography
<br>Index
</P><BR> <H2>About the Author(s)</H2>
<table><tr><td valign="top"><img src="/tempress/authors/2076_au1.gif" height="90" width="75"></td><td width="100%" valign="middle"><p><b>Isabelle Thuy Pelaud</b> is an Associate Professor of Asian American Studies at San Francisco State University, and founder of the Diasporic Vietnamese Artists Network (DVAN).</P></td></tr></table>
<BR><H2>Subject Categories</H2>
<p><A HREF="/tempress/literature.html" TARGET="_top">Literature and Drama</a>
<BR><A HREF="/tempress/asian_amer.html" TARGET="_top">Asian American Studies</a>
<BR><A HREF="/tempress/cultural.html" TARGET="_top">Cultural Studies</a>
</p>
<BR><h2 class="inpageheading">In the series</H2>
<P><I><a href="http://www.temple.edu/tempress/asam_history.html" onMouseOver="window.status='Click for other books in this series!'; return true;" onMouseOut="window.status=''; return true;" target="_top">Asian American History and Culture</a></i>, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vő.
</p><p>The "standard" written histories of Asian immigrants to the United States have been imbued with Western cultural biases. As a critique and corrective to earlier work, <I>Asian American History and Culture</I>, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vő, aims to develop a history of Asian Americans that is compatible with their own experience, that treats Asian Americans as agents of historical change and as creators of a new culture. In addition, this series intends to focus on the groups that are flourishing in the contemporary U.S.—Filipinos, Koreans, Vietnamese—about whom little has been written as well as to add to the substantial work done on the Chinese and Japanese in this country.</p>
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